Sir Frederick Banting has been credited with the discovery of insulin. I purchased this book to find out more about him because my daughter has type I (insulin dependent) diabetes. Michael Bliss has done a great job putting Dr. Banting back in a place of honor. He describes his country upbringing, his determination and charismatic personality, all of which caused him to persevere where others would call it quits. In some cases, this hard-headedness was an Achilles Heel, but the author leaves that up to the reader to decide. One part I especially appreciate is that Banting wanted to match the insulin to the diet, not the other way around. This was so humane for the victims of diabetes, who at that time were kept on a starvation diet of "thrice cooked vegetables" to limit the intake of carbohydrates and prolong life. For anyone interested in the details of what brought about this life saving discovery, I recommend this book highly.

Highly recommeded to anyone searching for a character study of a fascinating, well-rounded man and his triumph over diabetes.

I bought "Baroque Guitar" about a year ago, and I am still having great pleasure of the book. Noad has included artists like Bach, Dowland, and many others. If you are a beginner I wouldn't recommend this book, even though the book includes a lot of examples and explaining; baroque guitar is difficult! ... Noad also includes a section about trills and ornamentation, which are characteristics for the baroque.

This guitar book by Frederick Noad is good for both instruction and performance. The book is laid out in a logical, easy to follow manner. The musical pieces progress from simple to more complex as the book goes on. At the beginning of the book, Noad explains the ornaments and notation of the Baroque style in simple language. All of the pieces are written in modern notation with helpful explanations of the origin of the composition, guidelines for playing, and composer backgrounds. I've had this book for five years, and I still am enjoying it. It's wonderful resource. If you are a guitarist wanting to get into the Baroque style, this is the book!

Bailes was an early Church of Religious Science minister. This book is a well-written explanation of Science of Mind ideas, less a "tome" than Ernest Holmes "Science of Mind", which was the foundation work for lectures and meetings from which the church more or less evolved. Although Science of Mind writers tend more to argue for their ideas than to really "evangelize a faith", this work has the slightest flavor of an evangelical work. The reader should not worry that it is off-putting, however. It is readable and its ideas are easy to access. If you wish to understand new thought ideas and an argument for their practical application, this is a good place to start. You may not be a convert (I am not), but you can find a good bit to understand what these Californians were doing, and how it links up with the entire new thought movement.

This book is one to read and study over a 12 week period as the author suggests. It contains 12 lessons in learning how to manifest things in one's life while becoming the person you want to be. A mind-blowing book!

BENTEEN'S SCOUT GIVES GREAT VISUAL ACCOUNT OF CONTRVERSIAL EVENT THAT IS RARELY EXPLORED IN DETAIL,USUALLY INACCURATELY. THIS BOOK IS A MUST-ADD TO ANY SERIOUS CUSTER COLLECTION.EXPLAINS BENTEEN'S ACTIONS AND ROUTE ALLOWING BETTER INVESTIGATION OF LITTLE BIGHORN DEBACLE.

Roger Darling has done such an excellent job that it makes one wish that you could saddle a horse and ride across the bluffs as Benteen and his battalion did after leaving the divide. While touring the LHB I was personally able to see where Benteen turned to the left on his scout on what appears to be pretty broken county. Darling's logical determinations finds the three lines of bluffs that Lt. Gibson and his platoon crossed including his final viewing point on the thrd bluff before returning to Benteen and the Battalion in a valley and starting the oblique to the right to join Custer. Excellent four page fold out of a detailed map of the route indicating landmarks, and the geography of the land including elevations, streams, valleys, the morass etc. Although Custer sent messengers to Benteen authorizing him to advance to the next bluff, Darling makes an excellent case that Benteen the expert soildier failed to inform Custer by courier that he found no Indians in the LBH valley to the south or that he was progressing for a return to Custer. Darling notes the land is not as rough as generaly perceived and the book continues to make one think that Benteen could have been a major contributor to Custer's final scene whether the conclusion would have been different is a major question. Short book in pages but concise detail with lots of pictures and the outstanding map.

The book should read to "Letters by Theo. Goldin" to and from various different people, E.A. Brinistool, Albert Johnson, Phillip Cole, Fred Dustin and eventually Capt Frederick Benteen. Most of the letters were written when Goldin was very old and blind. Interesting insight into Benteen and a scathing by Benteen of Custer and his preported "conduct". Worth the reading if you truely "understand" what happened on June 25th 1876. Not for the first time reader... you'll be lost within a matter of pages unless you understand the "who, what and where" of different people.

This book is the printing with minimal commentary of letters between Goldin and Benteen. Frederick Benteen was an officer and Goldin an enlisted man in the Seventh Cavalry at the Battle of the Little Big Horn. Correspondence between officer and enlisted man is unique in itself. In the case of first hand participants their direct insights into events is always fascinating. This book does not answer any outstanding questions but it does add insights especially relative to Benteen. Anyone interested in the history of the Seventh Cavalry and the personality of Frederick Benteen, a major participant in the Little Big Horn scenario will be interested in this book.

I find this western to be excellent. Very descriptive and enjoyable. It has been several years since I last read this book. I believe it to be one of Brands best works. I would like to add it to my library.

Author, Max Brand, uses the main character, Kitchin, to "tell Kitchin's life's story" -- and what a story he unwinds. Well developed characterization. Interesting and surprising twist to Kitchin's story. The novel is more about human nature, than a true western. Recommended read for any gender and age.

I have only read half of it but it is truely based on real life. It's about two young teens that fall in love and get married because they're going to have a baby. They run away to New York and have a hard time.

I read this book when I was a teenager 20+ years ago. The ideas of the story have stuck with me and now that I have a teenager of my own I wanted to get a copy for them. There is more to it than a teen pregnancy. It deals with the frustration, pride, fear, joy, anger, poverty, self-realization and tough choices of 2 teens that felt they had no choice but to run away to save their love and their baby. These two teens are making really hard choices way before they were meant to. They try really hard to make it -- harder than many adults do. I think their growth as human beings and their all too fast maturation and self realizations are the real meaning of this story. It certainly is not a romantic tale encouraging teens to get pregnant and run off and live on thier own -- quite the contrary.

It's one of the ironies of modern Christianity that the churches claiming to make the most of the Bible in their theology make the least of the Bible in their worship. Evangelicals, for all their insistence on the authority, infallibility, and God-givenness of the Bible, have the least biblical worship in Christendom. It is unbiblical not in the sense that it breaks this rule or that, but in the sense that the Bible itself plays little or no role in the language and content of worship.

If you visit a "Bible church," for example, you may find that the Bible is a closed book, liturgically speaking. It isn't sung. It isn't prayed. It is a springboard for the sermon, and no more. But if you step into, say, an Anglican or Orthodox church, you find a way of worship much more explicitly biblical. The people hear two or three readings from both the Old and the New Testaments. They sing the Psalms and the Lord's Prayer, and the service includes hymns shot through with scriptural language.

The point of the comparison isn't to vilify one church and idealize another. Every tradition has its liabilities. But it does raise a question: What are evangelicals missing that many other Christians aren't? The answer: The other Christians have not forgotten that the Psalms are the church's first and greatest hymnbook.

The Psalms have always occupied a central place in private devotion, of course. Jerome, the great fourth-century translator and scholar, reports hearing them sung by people in the fields and in their gardens. But the Psalms were also central to public worship. Psalm-singing churches are following a tradition rooted in the Bible itself. Jesus prayed the Psalms. They were twice on his lips when he was dying. He even said, after his resurrection, that the Psalms really speak of his own suffering and glory. What greater incentive does the Christian need to pray and sing them?

"By Flowing Waters" is a collection of biblical songs -- mostly Psalms -- set to some of the most durable and attractive music that the church has produced. The melodies are basically what we're used to calling "Gregorian" or "plainsong" -- unison and unaccompanied. (It's astonishing that churches haven't capitalized on the success of all those popular Gregorian chant CDs. Why don't we get to sing the best examples of plainsong in church? The appetite for such music is clearly there.)

Paul F. Ford's settings are intended for antiphonal or responsorial singing. That is, a cantor or choir chants the Psalm, and the congregation sings a brief response (usually a sentence from the Psalm) after every verse or two. But there's nothing to keep a church from learning to sing the whole Psalm.

Not all of the Psalms are here, and many that are have been truncated. The translations, from the New Revised Standard Version, will not suit every ear. But one great virtue of this humble music is that it can be adapted to any translation. It could be adapted to the phone book, for that matter. So even if you don't like the New Revised Standard Version, you could use Ford's settings as guide for your own arrangements with another translation. His introductory essay explains how the chants are structured and makes helpful suggestions about singing them.

The author and publisher are Catholic, but musicians from other traditions who want to add sung prayer to their churches' worship will find plenty to draw on. Ford invites them to use what they wish. And for anyone who reads music, "By Flowing Waters" wouldn't be bad for private use either.

The General Instructions for the Roman Missal indicates that for Opening, Offertory, and Communion the preference should be 1) The Antiphon from the Roman Gradual 2) The Antiphon from the Simple Gradual 3) Another psalm 4) Some other song consistent with the above.

Until now, unless one was singing Latin, options 1 and 2 were eliminated, and option 3 was ignored, and option 4 all too often took the form of some banal hymn.

"By Flowing Waters" is an english edition of the Simple Gradual (which was prepared under a mandate from the Second Vatican Council), opening the door to the use of sung Scripture in worship.

Do any of us have all the laughs we need? Of course, not. If you want to laugh out loud and get a reminder of what's unexpectedly funny in life, Bill Scher's Cold Feet guarantees both. In humorous and irreverent poems, author Scher embraces everyday topics to give us witty reminders of what's truly funny. This wonderful collection of poems can definitely reconnect you to your funny bone. It's poetic dynamite so don't stifle the giggles.

Cold Feet, Whatever Happens,Laughing Matters is a fun book. It is like a compilation of the funniest greeting cards you've sent to your best friends and relatives. Bill Scher's sardonic poetry and Frederick Busi's caricatures make for a wonderfully witty book. He covers everything from sexism to annoying waiters to indulgent pet owners to bathroom etiquette. This is Charles Osgood with an attitude!

We read his book for my 8th grade english class. If you likeRobert Hayden, Poetry, Etc. this is a very nice book. If you're likemost of the kids in Mr. Nydicks english class, and you would rather chat than discuss the irony and pain of Middle Passage, this isn't the book for you. But if you like interperative poetry, this is a very nice book by a nice author

ROBERT HAYDEN (1913-1980) was the first African-American to be appointed Consultant in Poetry to the Library of Congress, a position now titled the U.S. Poet Laureate. He won numerous prizes and awards during the last decade of his life, including the 1975 Fellowship from the Academy of American Poets for "distinguished poetic achievement." Hayden stands out among Twentieth Century American, poets not just for his many literary accomplishments, but for the strong vision of faith that illuminates so much of his work.

In addition to well known poems such as "Those Winter Sundays" and "The Whipping," this anthology contains other equally stirring poems including "Aunt Jemima Of The Ocean Waves" which depicts a conversation with the fat woman from a Coney Island side-show and "Belsen, Day Of Liberation" dedicated to Rosey Pool, the Dutch teacher of Anne Frank and first translator of her famous diary.

While Hayden writes much about African-American history and culture, his poems do not tell the reader what to think or feel. Instead, his carefully crafted verse weaves images that allow the careful reader to move around in some very unusual territory, some beautiful, some uncomfortable. Hayden puts us in the mind of the oppressor in poems like "Middle Passage" about the famous Amistad incident, and "Night, Death, Mississippi" where we eavesdrop on an old Klan member too frail to attend a lynching with his son, of whom he is proud. "Be there with Boy and the rest / if I was well again. / Time was. Time was. / White robes like moonlight / In the sweetgum dark."

Hayden can also be wickedly funny. In "American Journal" written a few years before his death, his narrator is a spy from a distant planet in the galaxy who reports back to his fellow superiors about "this baffling multi people extremes and variegations their noise restlessness their almost frightening energy."

In addition to poems about childhood, society, and race, Hayden also writes about the history and central figures of his religion, the Bahá'í Faith. In "Baha' u'llah In The Garden Of Ridwan" he compares the founder of Bahá'í at an important juncture to Christ the night before being crucified w ho prayed to be relieved of his great destiny. In "Dawnbreaker" Hayden describes the torture of one early Bahá'í put to death by having candles of oil and wick lit within his skin. "Ablaze / with candles sconced / in weeping eyes / of wounds."

Despite his numerous awards, Hayden was not well known to many poetry readers until the end of his life. Fortunately, his reputation has increased since Collected Poems was published posthumously. If you are interested in rich, well crafted poetry which explores what it means to be human, try Hayden. As Aunt Jemima says in the above mentioned poem, "And that's the beauty part, I mean, ain't that the beauty part."